Friday, October 26, 2012

ROAD TO SAFETY


I worked on something this week with Melissa, one of the girls who has agreed to model for my project, and who I blogged about a couple weeks ago. 

In photography class at school, I am developing some of the skills (namely using a lighting kit, becoming familiar with my camera and its settings, and working with a model) that will come in handy for Late Bloomers. 

I have been putting a lot of effort into the assignments for the most part because photography and storytelling through this medium are things that I care about and want to take pride in, so I was thrilled to learn one of our assignments was a photographic essay.

I thought carefully about what I wanted to do for the photographic essay, and the only thing I could think of was my fundamental objective for my art, whether written or visual: provoke thought and create conversation, because those are the things that lead to change.

So I chose to explore the topic of domestic violence through the photographic essay. I worked on the photoshoot with a team including Melissa as the model, my sister’s boyfriend Kyle as another model, and Loren Hansen (a friend of mine who is also a MAC artist) for makeup. Kirah Sapong, a friend of mine from school, also assisted setting up lights on the shoot, and I photographed and conceptualized it. 

The subject matter is heavy and the most common reaction to the finished work was people grimacing, which is exactly what I wanted. I did not want people to feel comfortable when they looked at this photographic essay, I wanted them to become uncomfortable and comment on how uncomfortable it is to know that domestic violence is a reality for hundreds of thousands of women across Canada, so the converstion will not come to a stand still and awareness will continue to be raised. 

I also chose to explore this topic because it is something that has defined my life in a way. My mother, sister, and I were all victims of domestic abuse, so I have seen it first hand. I know what it feels like to feel unsafe in a place where you are supposed to lay your head to sleep, where you are supposed to call home. This issue is important and I do not want people to fall silent about it. 


Wednesday, October 17, 2012

BREAKING NEWS


I have decided that I want to write seven short stories for the collection, and I think I have settled on the themes (make sure to comment or message me because I would like your feedback on this):

1. Being what you believe about yourself
2. Relationship to a higher power
3. Relationship, or lack thereof, to parents
4. Death
5. Standards of beauty for females in North American culture
6. Role models
7. Gender identity

I am really excited to have narrowed these down, but I admit I am feeling overwhelemed because these are big topics to cover, and I want to do them justice. I would appreciate your feedback, and I have some cool interviews I have lined up for the next few weeks so I will be sure to post about them.

Friday, October 12, 2012

DELICATE BUT ROUGH


I am moving ahead with the collection and I am even surprising myself a little bit about the initiative I am taking. 

For the photographs, I want to capture girls who I consider to be beautiful, and that can mean many because as I’ve noted previously, my taste is eccentric.

This week I met with a girl named Melissa, who I knew of growing up, but had never actually met until tonight.

We met for a glass of wine and I asked her if she’d be willing to model for some pictures I am going to use for the collection. What I like most about Melissa is her smile: she has the most beautiful, straight teeth I’ve ever seen, and she is altogether a beautiful girl and I love that she looks like a bad ass, too. She is the perfect combination of delicate and tough -- to me, those qualities together create the unique beauty I associate with young women I admire.

She was kind and a careful listener, and we talked about our lives and all the people we both knew while growing up in the North End of Winnipeg. 

That’s pretty much all the progress I have to report on the collection at this point, other than keeping my senses in tune to oberving people around me and trying to decided what my ideal audience (young women in North America) would want out of a short story. When writing, I not only have to imagine things from someone else’s perspective when I am actually writing the story, but also when I am thinking about people who are going to be reading it.

What will they want to know? Feel free to comment!

Friday, October 5, 2012

MOTHER COURAGE


Hooray! I conducted another inteview for Late Bloomers. 

The interview was with a girl I’ve known since elementary school named Stephanie. 

I remember Stephanie, and always have despite us not being close, because her mother died when we were ten. I could not believe it when the teacher, after reading us another chapter of James and the Giant Peach, told us that Stephanie and her brother would not be at school for the week because their mom had suffered a heart attack. 

I was very close with my mother as a young girl. Although our relationship has often been shaky, she means a lot to me and I remember thinking that death was impossible. It just was not possible for a ten year old girls mom to die. 

So I met with Stephanie at Baked Expectations to talk about it, since one of the themes that will govern a story, I’ve decided, is death. This was not only an opportunity to gain insight into the mind of what will become a protagonist in a story I am writing, but one to ask questions I have contemplated literally for most of my life. This event affected me even though I was not involved.

Needless to say we were both sobbing by the end of the interview. 

“Unicorns were always special to my mom and I,” she said, wiping her eyes. “I walked into a store, not far from here last summer, and saw a little, white unicorn figurine. I knew I had to get it, and the man at the till told me that someone was watching over me. I don’t cry about it that much anymore, but then I did.”

She also told me her mother wrote her a note when she was a little girl, and she reads it on her birthday every year. When the family moved houses, however, Steph though she lost it.

“I have literally never been afraid of anything more in my life,” she said, before telling me she later found it. 

I was so thankful for Stephanie opening up to me. I feel as though young women who have mothers and who don’t will be able to appreciate her story and I can’t wait to listen to the interview again (I tape recorded it) and start creating my character.

Saturday, September 29, 2012

BEAUTY STANDARDS FOR GIRLZ


I recently returned to MAC as a makeup artist, and I’ve worked some shifts this week. It left me thinking about standards of beauty for young women, and women in general, in North American culture, and how I would like to create a story for Late Bloomers centered around that. 

I am starting to put together a list of qualities that contribute to our collective definition of traditional beauty, and here is what I’ve come up with thus far (feel free to add to this list, or comment on something I’ve added):

Long, thick hair
Big eyes
A small nose
Big lips
Strong bone structure, although not “too” strong
a long-ish neck
thinness
long legs
small hands
almost all eye colors, now that I think about it
small ears
straight, white teeth

And obviously there is more. I find this topic intriguing since I consider myself someone who absolutely appreciates female beauty, although I find myself attracted to few of the qualities I understand to make up traditional beauty. It might be because I have eccentric taste, though. 

Anyway, I am thinking about developing a character who is not traditionally beautiful, but is interesting in terms of looks, and has a questionable yet lovable personality. I want to express how people see this person and how she sees herself. 

I am working on that, and trying to narrow down the themes I want to govern each story. I admit, it is a big task and I am feeling intimidated because this project is something that I care very much about. I think I am going to start making some outlines of each story and really work on the structure.

I went back into my creative writing notes from my second year of university and I remember how much more important structure was than the actual writing itself, so that’s something to consider as I work towards what I feel like right now is a massive project. I think I feel that way because things at school in my other courses are also piling up, and now I am taking on shifts at MAC as I mentioned before. 

To close, I leave you with a picture of something I consider to be pure beauty: By the way: yes, it is Dog the Bounty Hunter’s Wife, and yes I think she’s very sexy. I wrote a poem about her in the summer for my friend Alison who is in Creative Communications with me and who also loves her. I will post it eventually.

Image from Google. 


Thursday, September 20, 2012

MY FRIEND, MARA


I met with my friend Mara last Saturday. 
I have not seen Mara in months -- we met when we were living in Montreal in August 2010 as part of the explore program. She was 19 at the time, the same age as me. We used to go to Cabaret Mado together, the drag cabaret in Montreal’s gay village that I mentioned in the second post on this blog. She is free-spirited and beautiful, although not in a traditional way. I see her as a statement. And Mara and I talked about love.

Mara has not always had what most would consider to be an “easy” life -- as she grew up her mother, who raised Mara and two siblings alone, struggled financially and the relationship between Mara’s parents, before it ended when Mara was 3, was one defined by domestic abuse.

Her family, like mine, is Jewish and we discovered while living in Montreal during the summer that she grew up in a neighbourhood not far from the one I grew up in. 

She approches style with a sense of humor, but she manages to look beautiful and sexy, even when wearing funny, and potentially offensive garments like sequined bikini she wore into a 7/11 on Main Street last summer when we went to buy cigarettes, or the black shirt with holes in it she was wearing when I met her for breakfast in the village last weekend. It said Fuck you, you Fucking Fuck.

Mara worked as a stripper when we got back from Montreal and I even went to see her dance one night, although it made me sad. I felt like underneath her tough exterior that, on that night, was characterized by a huge fur coat over a sparkling champagne panty and bra set as we stood outside the back door of the club sharing a smoke, she was afraid. I don’t think she wanted to be there depite that she joked, in her very Mara way, that she didn’t care and that the cash was good.

“Maybe I can stop driving around this fuckin‘ beater if I stay long enough,” she said in her husky voice while laughing and pointing across the street to her 1987 Honda Civic. 

She ended up falling in love with her boss, who was a woman, although she told me on the weekend when I asked that she does not consider herself a lesbian. Plus, she met someone recently.

“I met a guy,” she said as we sat at Kawaii Crepe and she ate a Milky Way. 

She started to smile and we both had that look on our faces that keeps us friends -- the one that says one of us is up to no good and the other one is probably all for it. 

“Oh yeah,” I said, already laughing. The best thing about Mara is her sense of humor, which comes through even when she finds herself in circumstances that are less than ideal.

“He’s older, though.”

I asked how much older and Mara told me he is nearly 60. 

We found this funny although I could tell Mara was not laughing in a malicious way, and maybe that became clear to me because of the way she talked about him.

“I love who he is,” she said simply. This was strange because Mara usually provides a ton of explanation, as I tend to do too, which is why our conversations often last hours. “And he treats me nice.”

She told me that she appreciates that he drives her home. After Mara quit working as a stripper, she had to sell the Civic. We went for one last smoke cruise (a term we used to describe driving around to no where, usually in the summer, smoking cigarettes and listening to the song about San Francisco that came out in the 60’s. We usually close such events with a nice round of Would you rather?)

Now, she works at a grocery store in the North End of Winnipeg, not far from where she lives with a roomate, and she said sometimes her new friend will drive all the way from his affluent neighbourhood in the South End to make sure she gets home safe. 

She told me they’ve driven around to cemeteries and talked about nothing when his wife was at work, and although he acknowledges Mara’s beauty and sensuality, he refuses to have sex with her. She said he sees her more like a young person who was never really nurtured, or something like that. He is also trying to help her look into places that might want to sell the ornaments she makes in a glass blowing class she attends once a week, so she will profit from her art.

“I like it, but I don’t get it,” she said about their friendship. “I don’t know what someone who drives a fuckin’ Mercedes, and who shops at specialty grocery stores, and whatever, would want with a kid like me.” 

And I got what Mara was saying, although I didn’t agree with it. To me, Mara is beautiful on the inside and out. She has a thick mane of long, black hair, a mischevious smile, and blue eyes. Additionally, she has a caring and compassionate side to her that is the result of a life where people have not always “treated her nice,” but she has turned it around to make sure not to make others feel the way she has, although that is not always obvious unless you know her story.

At the same time, however, Mara was born on the same side of the tracks as me, and our similar life experiences keep us together because we have an understanding. So I saw why she was confused, and I wished in that moment that she wasn’t so oblivious to her own beauty.

I am using the conversation Mara and I had as inspiration for some of the stories I will be writing for Late Bloomers. She gave me permission, as long as I depict her as “wild and free,” although she already is. I don’t imagine I will base one story on her, but there is a quality and a beauty about Mara that I hope to see in all of my characters, so tidbits of her life might find their way through all of the stories.

Mara won't let me take her picture, and she told me I am only allowed to share her story if I post the following to represent her, although, for what it's worth, I think Demi does not compare.

Image from Google

Wednesday, September 12, 2012

PHOTOGRAPHIC INSPIRATION


This week I am learning about photography and image editing at school, and I am starting to think about how it relates to Late Bloomers.

Something I have neglected to mention since beginning the blog just over two weeks ago is that the collection is also going to include photographs that will help tell the stories I am writing.

I proposed this aspect of the project because my ultimate professional goal is to become a filmmaker. I have thought about what it means to be a filmmaker, and a significant aspect of it is being able to tell a story through an image. After all, that is what movies are: pictures in motion. 

In a class I am taking as part of the Creative Communications program called Image Editing and Web Design, we had to design and hand in a collage of photographs we created using Photoshop. I put on my headphones, listened to a song called Video Games by an emerging female artist, Lana Del Rey, and put the collage together.

I felt inspired, and I felt comforted. It is always nice to be reminded that you love what you are doing, and it made me look forward to the photographic aspect of my project. 

Something else that has made me feel incredibly inspired is the work of a young Canadian photographer named Petra Collins.

Her photographs focus on precisely what I hope to convey through my short stories: the reality of (some) young women, but the themes are universal enough for almost every young woman within North American culture to relate to on some level.

Here is some of her work. Enjoy, and find more of it featured on www.rookiemag.com, where she contributes regularly. You can also find these photographs and other work of hers at her website, www.petracollins.com. Don’t forget to check out The Ardorous, Petra’s web space where she features a variety of female artists.
 

Petra Collins

Petra Collins

Petra Collins